Nam Hong Ju, endowed with the ability to foresee events, resides with her widowed mother who runs a small restaurant. Despite her gift, she often finds herself powerless to change the outcomes. On the other side of the street, Jung Jae Chan, a rookie prosecutor, and his younger brother Seung Won become their new neighbors. An unusual dream involving Hong Ju, ruthless attorney Lee Yu Beom, and a life-saving intervention leads Jae Chan to realize their destinies are intertwined, as they begin sharing dreams and connecting in mysterious ways.

An uptight documentary filmmaker and his wife find their lives loosened up a bit after befriending a free-spirited younger couple.

Anthology film of six shorts by leading Korean directors. Park Chan-Wook, tackles racial prejudice and the economic exploitation of immigrant workers through the real-life story of a Nepalese woman in Korea. Jeong Jae-Eun, tackles the plight of a paedophile released into the community. Yeo Gyun-Dong, invites disabled actor Kim Moon-Joo to re-enact his most famous protest. Im Soon-Rye, goes for the engrained sexism of Korean men with superb wit and, Park Jin-Pyo, confronts the horror of children forced into oral surgery to improve their English-speaking ability.

Funded by the National Human Rights Commission of Korea. If You Were Me 5 takes a close look at the violent nature hidden behind our eyes. 5 directors- Kang Yi Kwan, Boo Ji Young, Yoon Sung Hyun, Kim Dae Seung and Sin Dong Il disclose how closely ordinary events of society connect with our eyes. There is a hidden sexual violence beyond our eyes and the power of a controlled society works through the power beyond the eyes. Not only the violence of the eye itself, also limited the ability of individuals to see, the matter of the eye intervenes in various relationships between the individual and groups. The film demonstrates how sharp the eye has become in a society with developing technology.

Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions. 　　“I’m from Oklahoma I ain’t got no one to call my own. 　　If you will be my honey, I will be your sugar pie way hi ya 　　way ya hi ya way ya hi yo.” 　　— Diane Burns (1957-2006)

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions. 　　“I’m from Oklahoma I ain’t got no one to call my own. 　　If you will be my honey, I will be your sugar pie way hi ya 　　way ya hi ya way ya hi yo.” 　　— Diane Burns (1957-2006)

Romantic comedy about a conservative businessman whose one-night stand with a fiery Italian model develops into a turbulent long-term relationship.

Do-yeon, a 6th grade elementary school student, meets her cousin Sang-jun at her grandmother's funeral. On the last day of the funeral Do-yeon and Sang-jun go into an empty classroom near the funeral. There they have their first sexual experience. Lee Rae, a single women in her 50's, lives with her father who suffers from Alzheimer's. She raises ducks, but recently got rid of them because of Avian Influenza. Her father's physical and mental health has also worsened. He even asks Lee Rae to touch him inappropriately. 17 year old Su-Jin was smuggled into the country by professional brokers. She was adopted into a family that lives in a countryside farm. On her first day at the farm she was raped by her stepfather. They also share the same bedroom. Su-Jin is continuously accosted by her stepfather. Su-jin sole source of comfort is the grandson, who sympathizes with Su-jJn and her plight. He is a victim of physical abuse from the stepfather. Su-Jin then becomes pregnant.